And while Feola also delivered well on the higher lines throughout the Vendetta duet, the quartet, and trio (a tough task for all three singers as mentioned), the final duet was another moment of sublime singing from the soprano.Lass in ciel was delivered with the utmost delicacy of sound, each note angelic in its purity. He capped off this incredible performance with a lengthy pause, which added tremendous emotional suspense to the moments following Gildas death. As Gilda, Rosa Feola had a solid night overall. She frequently sings at Moscows Bolshoi Theatre, Deutsche Oper Berlin, Teatro dellOpera di Roma, and LA Opera. Roger Hodgman, 53, is director of the Melbourne Theatre Company. GREAT PERFORMANCES AT THE MET is produced by the Metropolitan Opera in association with PBS and The WNET Group, bringing the best of the Metropolitan Opera into the homes of opera fans across the country. For more than 50 years, PBS has been the media destination for the arts, presenting dance, theater, opera, visual arts and concerts to Americans in every corner of the country. The 70-minute work, scored for four singers and instrumental septet, is a lighthearted science-fiction opera that looks at the purpose of art in challenging times through the lens of comedy. Taking on that task in this production was Speranza Scappucci, making her Metropolitan Opera debut. That was quickly contrasted in the ensuing scene as he roamed about the streets, delivering a hushed and pained Quel vecchio maledivami! The defensiveness of the opening scene continued throughout the conversation with Sparafucile, Kelsey initially reserved but slowly opened up his sound as he inquired about Sparafuciles methods. And then there was Quinn Kelsey. April 5, 2022 at 11 a.m. Winter Park Library and Events Center 1052 W Morse Boulevard | Winter Park, FL 32789 . You could sense the insecurity she felt upon finding the Duke, her body shifting into a protective shell before allowing herself to be taken by him. Taking in the work on Monday, Nov. 14, 2022 for the first time in years, her words resonated rather deeply with me. Arizona Operas programming includes something for everyone, from tried-and-true opera lovers to school-aged children and everyone in between. Mia colomba, lasciarmi non dei!These were sung with the softest piano singing that Kelsey managed the entire evening, his voice but a weeping thread of sound, each time growing softer and more heart-breaking, especially as he held her in his arms. GREAT PERFORMANCES AT THE MET "Rigoletto", UC San Diego Health steps in to help El Centro hospital stay afloat, Current rainy season could be a drought buster, forecaster says, Settlement reached in Tijuana sewage lawsuit, Brittney Griner urges the return of U.S. detainees abroad at NAACP Image Awards, Washington state attorney general says FDA rules on abortion drug are unreasonable, An Arizona driver is in custody after crashing into bicycling group, killing 2, After a rocky decade, UC San Diego's art gallery is back, Karama presents 12th Annual San Diego Arab Film Festival, Choosing a school for your child? She played up her flirtation with the Duke throughout the quartet and then provided assertiveness throughout the trio. Directors love Wagner's operas, which infuse the suggestive sketchiness of parables into clearly conceived plots and characters. For some, the movement allows for a shifting of place and time throughout (like during the cabaletta Possente amor mi chiama where we see Gilda getting prepared for the Dukes arrival) and thus creates visual momentum and variety. Its virtually been in and out of the stage throughout the years, but I stopped attending it over the past few years (I hadnt seen the opera at the Met since before the launch of OperaWire in late 2016). Artists. Confusion, unless part of the thematic underpinning of the story, never makes for good storytelling. SAS Performing Arts Concert Opera Presents Puccini's IL TRITTICO, Arizona Opera Announces Its 2023/24 Season Line-up, THE ARTWORK OF THE FUTURE World Premiere Opera To Run At Fresh Squeezed Opera, May 13-19. She slowly crept up those stairs, the trepidation apparent, and glimpsed inside. That said, this is a step up from the Las Vegas episode. The Met Operas faithfulness to Michael Mayers increasingly unnerving Las Vegas production which, once youve experienced the saturation from the spectacle itself, comes off as rather empty in its storytelling. ) right before the final duet was almost howled, its effect spine-chilling. Bartlett Sher previously staged Rigoletto in Berlin in June 2019 and October 2019. He also had the opportunity of interviewing numerous Oscar nominees, Golden Globe winners and film industry giants such as Guillermo del Toro, Oscar Isaac and John Leguizamo among others. Review: Amid Omicron, the Met Opera Opens a Weimar 'Rigoletto'. The music says one thing, the stage says another. Other notable roles include Ramfis in Aida in Verona and Zurich, Giorgio Germont in La Traviata at La Scala, Colline in La Bohme in Venice, and Sarastro in Die Zauberflte at the Hamburg State Opera. Rigoletto | Opera | Voorstellingen, schema en kaartjes | Gran Teatre del Liceu | Bekijk meer informatie op Operabase But when he commenced Deh, non parlare al misero, his voice took on a honeyed hue full of yearning. This product includes GeoLite2 data created by MaxMind, available from, Guilty pleasures: Yoncheva stars in a new, A fine showing for the 1884 Italian version of, To add a comment, please sign in or register. She brought a seemingly endless supply of energy to the evening, with swift tempi and impressively monolithic brass. After a lauded premiere on New Years Eve 2021, Bartlett Shers Art Decoinspired production of Verdis ever-popular masterpiece returns for its first revival. January 18, 2022. The conductor taking on this opera is very much a storyteller from those opening trombone calls to the final tutti D flat on which the opera ends. Have lunch with the cast of Rigoletto and hear excerpts from Verdi's masterpiece along with . Rigoletto Ken Howard / Met Opera For the first time since the mid-1970s the Metropolitan Opera is performing into June after recently establishing an annual month-long hiatus during the. Elsewhere this season, he sings Sarastro at the Vienna State Opera. Met Opera | April 15, 2023. He has served as principal conductor the Opra National de Lyon since 2017 and chief conductor of the Ulster Orchestra since 2019. The collection of #PBSForTheArts programs is available at pbs.org/arts , PBS.org, and the PBS Video App, available on iOS, Android, Roku streaming devices, Apple TV, Android TV, Amazon Fire TV, Samsung Smart TV, Chromecast and VIZIO. Tenor Stephen Costello is her self- centered lover Alfredo, alongside baritone Luca Salsi as his disapproving father, and Maestro Daniele Callegari on the podium. The Tony Award-winning director resets the opera's action in 1920s Europe . 20 des. GREAT PERFORMANCES is on Facebook+ follow @GPerfPBS on Twitter. It provided a seamless transition into the Piangi, with Kelsey crescendoing from the C natural into the ensuing D flat. Last season, he sang the Grand Inquisitor in the Met premiere of the five-act French version of Verdi's Don Carlos and the Ghost of King Hamlet / First Player / Gravedigger in the company premiere of Brett Dean's Hamlet. Compounding Bernheims performance during this scene was how much fun he seemed to be having, not only flirting with Akhmetshina, but even caressing a cross on the wall, a childish smile on his face. Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window). Even if the Duke is a thankless role dramatically, it's the perfect showcase for his elegant tenor. The Metropolitan Opera: Rigoletto (2022) movie cast and actor biographies. For the Met: Mia Bongiovanni is supervising producer and Louisa Briccetti and Victoria Warivonchik are producers. In the context of the opera, the merely lovely music becomes inspired drama. They felt detached from transitions into them, when they existed (like in Cortigiani). The fermata high A natural a few bars featured a beautiful portamento down an octave before the soprano took her time before even more delicate piano singing on lass in ciel, each one softer and slower than the one before, Gilda fading slowly while drawing the audience closer and closer to her every step of the way. In the ensuing scene with Feola, he refused to meet her gaze throughout, drawing her frustration, even becoming a bit harsh as she insisted on hearing her story. He made his Met debut in 2007 as Arturo in Lucia di Lammermoor, with other roles for the company including Camille de Rosillon in The Merry Widow, Lord Percy in Anna Bolena, Romo in Romo et Juliette, and Alfredo Germont in La Traviata. These PDFs do not include cast changes that occurred after the program went to print. Other aspects work better, including the dark alley scene between Rigoletto and Sparafucile, which also makes an argument for the less is more principle. More information is available on the official website of the opera house. Too often, these are underrehearsed affairs, with unimaginative casting and uninspired direction. Carlos lvarez performs in the title role, alongside Lisette Oropesa and Liparit . The aria proper was one expansive legato line that commenced with utmost softeness and tenderness, each successive peak and valley featuring fluid crescendoes and diminuendoes, each one ramping up the intensity toward the climactic high B flat near the end of the aria, where the tenor let loose with everything he had. And considering that this is an opera that has been done time and again, it was refreshing to hear her test the limits of what this music could do. Mozart's Idomeneo. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. Curated conversation and digital shorts are also available on PBS social media platforms using #PBSForTheArts. A loud, unsubtle performance of a loud, unsubtle production the Met really deserves a new Aida. One of the things that is so incredible about Rigoletto within Verdis oeuvre is its pacing. Great Performances Season 16 features Metropolitan Opera stars Angel Blue, Isabel Leonard, Lise Davidsen, Ren Pape, Matthew Polenzani, Sonya Yoncheva, Elna Garana and more. The two visibly reveled in the sensuality of the cadenza, their voices navigating the lines seamlessly. Production title: Rigoletto - The Metropolitan Opera (2021-2022) Creation date: 02/06/2019 Work - Composer: Rigoletto - Giuseppe Verdi Opera house: The Metropolitan Opera. He has previously conducted at opera companies around the world, including the Bavarian State Opera, Paris Opera, Deutsche Oper Berlin, Vienna State Opera, Teatro Real in Madrid, and Gran Teatre del Liceu in Barcelona. Il Trittico is comprised of three one act operas; Il Tabarro (The Cloak), Suor Angelica (Sister Angelica), and Gianni Schicchi. solo per me linfamia; that passage is marked Pi mosso, following the Andantino from Gildas opening lines, but in this case, the tempo felt like it almost doubled the previous one in how quickly it accelerated. But then the turntable starts to move. Victorian Opera announces cast for The Who's Tommy. They offer both strong bones and flexibility . The production of Verdi's final opera will star Mark Delavan as Sir John Falstaff, Brian Major as Ford, Rachel Blaustein as Nannetta, Mary Feminear as Alice Ford, Allegra De Vita as Meg Page, Catherine Martin as Mistress Quickly, Yi Li as Fenton, Mauricio Miranda as Dr. Caius, Joseph Michael Brent as Bardolfo, and Andrea Silvestri as Pistola. Arizona Opera officially announced its 2023/24 Season, featuring four opera productions including a World Premiere in Phoenix and Tucson, as well as the companys inauguralNew Works Festivalin Phoenix, and a new series of community concerts in Tucson. The 70-minute work, scored for four singers and instrumental septet, is a lighthearted science-fiction opera that looks at the purpose of art in challenging times through the lens of comedy. But he had a major triumph this year as the Grand Inquisitor in Don Carlos and then . desso! With Varduhi Abrahamyan, Piotr Beczala, Rosa Feola, Quinn Kelsey. The La r, la r, la r started off aggressive, the baritone placing forceful accents throughout. American tenor Stephen Costello reprises his portrayal of the Duke of Mantua, a role he previously performed in 2015 at the Met. As he remarked on the Duke, his voice became pointed; one could feel the anger boiling over, his voice growing in strength over the tremolo strings. GREAT PERFORMANCES AT THE MET: Rigoletto Preview, "Cortigiani, vil razza dannata" from "Rigoletto", Piotr Beczaa Performs "La donna mobile". Kevin Puts'. And its definitely worth checking out. A revival for Sir David McVicar's staging from last season, but this time reverting from French to the four-act Italian version, conducted by Carlo Rizzi. The Metropolitan Opera ended its mid-winter hiatus with the much anticipated premiere of Franois Girard's production of Wagner's Lohengrin on Sunday afternoon. Francesco Maria Piave (181076), Verdis librettist for Rigoletto, collaborated with him on ten works, including Ernani, La Traviata, La Forza del Destino, and the original versions of Macbeth and Simon Boccanegra. Then there were tempo shifts that seemed to come out of nowhere, breaking the flow of the momentum and jerking you out of the action; moreover, they often felt out of control and unstable, rushing forward initially and then calming down. She matched tenor Ben Bernheim line for line through il sol dellanima, delivering ethereal piano singing during her opening Ah, de miei vergini sogni son queste that was answered by an equally glorious piano line from him. At the close of the duet, his piano singing blended with Feolas almost as one with the cadenza, as noted, spot on through the several runs. Canadian bass-baritone John Relyea, who just ended a highly acclaimed run as Boris Ismailov in the Met's production of Shostakovich's Lady Macbeth of Mtsensk, will also be singing the role of the Grand Inquisitor in all of the Met's upcoming performances of Verdi's Don Carlo, which opens on November 3. Note for note, moment for moment, this without any doubt in my mind is the most compelling Rigoletto that Ive heard at the Met in a decade. The HD broadcasts are supported by Toll Brothers, America's luxury home builder. The best in live events, streams, reviews and articles recommended by our editors, delivered to your inbox weekly. 'Rigoletto' at The Met Opera Ken Howard While the highly anticipated revival of The Music Man idles awaiting the recovery from COVID of its stars Hugh Jackman and Sutton Foster and other. This was present at the Allegro vivo following Rigolettos Ah no: folia at the end of Pari siamo and then at the start of Addio speranza ed anima. It was present in the middle of Act two Gilda-Rigoletto duet Tutte le feste al tempio with Rigolettos entrance Ah! They met in 1979 in Rabe's home town of Vancouver, married five years . The moment where this kind of tempo whiplash stood out more was right before Cortigiani, Rigolettos other big solo moment. In Act two, he arrived on the scene like a man on a mission, his head on a swivel, his body frantic as it searched for his missing Gilda. She is currently a studio artist at Moscows Bolshoi Theatre, which she joined after singing at the Galina Vishnevskaya Theatre Studio. Karen Kamensek will conduct the May and June performances of Verdi's Rigoletto, replacing Karel Mark Chichon. The restatement of the main melody was delivered with an even more intimate and sensual piano. She has conducted Verdi's Rigoletto at the Hamburg State Opera, Theater Freiburg, and Malm Opera. For GREAT PERFORMANCES: Bill ODonnell is series producer; David Horn is executive producer. Bartlett Shers new production, which opened on New Years Eve last year, isnt that much more revelatory in terms of presenting new ideas or adding newfound depth to the classic story. camera operator Music Department Additional Crew Bartlett Sher . However, it included some glaring strange elements that were impossible to ignore. Lisette has given 68 performances as Gilda. The Act three trio was a mess of sounds without any real grounding and during the final duet, Lass in ciel, the violin syncopations were so accented as to sound plodding and heavy that they didnt fit into the general soundscape of the moment, even disrupting it. It will help us make your newsletter content more useful. From the opening line of the recitativo to the end of the aria, Bernheim was all in on delivering a performance of utmost intensity. And suddenly our attention shifts away from Rigolettos truly private and essential CHARACTER moment, to something else. The Vienna State Opera's production of Rigoletto did its job, proving an appropriately grim staging for a very dark opera. It gave off the aria less of a playful feel and emphasized the romantic longing of Gilda. dammi coraggio was sung with a glorious piano to forte crescendo that expressed Gildas fear and pain all at once. 2021-2022 Season. Abbonamento a partire da 12,50/mese He has appeared at many of the worlds leading opera houses and festivals, including Deutsche Oper Berlin, the Vienna State Opera, Lyric Opera of Chicago, San Francisco Opera, Washington National Opera, and the Salzburg Festival. Nov 17, 2022 Metropolitan Opera 2022-23 Review: Rigoletto Quinn Kelsey, Benjamin Bernheim, Rosa Feola Shine Amidst Musical Chaos By David Salazar (Credit: Curtis Brown) In a recent interview with OperaWire, composer Lori Laitman noted that Verdi's " Rigoletto " was among her favorite operas. Victor Hugos 1832 play Le Roi sAmuse, set at the court of King Franois I of France (circa 1520), is a blatant depiction of depraved authority. If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. Rigoletto opens on November 10, with Rosa Feola and Lisette Oropesa sharing the role of Gilda, Aigul Akhmetshina as Maddalena, Benjamin Bernheim and Stephen Costello as the Duke of Mantua, and Quinn Kelsey, Michael Chioldi, and Luca Salsi as Rigoletto. Throughout Feola opted for a more connected vocal line, with the opening melodys (which starts, essentially, with a descending E major scale) eighth rests less pronounced. Quinn Kelsey and Rosa Feola lead a superb cast in Bartlett Sher's new staging of Verdi's classic drama. Schedule November 10, 2022 19:30:00 His 2014 interview with opera star Kristine Opolais was cited in a New York Times Review. 23 des. This season, he begins his tenure as the principal guest conductor at the Bavarian State Opera. A second run of performances in the spring features baritone Ludovic Tezier, soprano Kristina Mkhitaryan, and tenor Stephen Costello, conducted by Karel Mark Chichon. Despite her frumpy costume, she's ideal for the role, clearly having the time of her life vamping around the stage. Rigoletto | Opera | Performances, schedule and tickets | The Metropolitan Opera | View more information on Operabase . The Metropolitan Opera has announced that baritone Michael Chioldi will be taking on the lead role in Verdi's "Rigoletto." Chioldi will take over for Quinn Kelsey who debuted the new production by Bartlett Sher on New Year's Eve. Right before the duet with the Duke, Feola delivered a glorious piano to forte crescendo on Tamo before being cut off as the duet proper got underway. She recently made her debut at Covent Garden as Micala in Carmen. Kelsey reprises the title role opposite Kristina Mkhitaryan as Gilda and Stephen Costello as the Duke of Mantua. She made her Met debut during the 201819 season performing the role of Lauretta in Gianni Schicchi. He made his Met debut with a production of Il Barbiere di Siviglia during the 200607 season, followed by stagings of Les Contes dHoffmann, LElisir dAmore, Otello, and Romo et Juliette, as well as the company premieres of Le Comte Ory and Nico Muhlys Two Boys. Desperation took over with the subsequent phrases aggressive, accented, and frantic. #PBSForTheArts is a multiplatform campaign that celebrates the arts in America. adesso non ridete? was heavily accented, allowing Kelsey to really express Rigolettos fury. Baritone Quinn Kelsey and soprano Rosa Feola reprise rapturously acclaimed turns as the tragic jester Rigoletto and his headstrong daughter, Gilda, and two artists make noteworthy Met debuts: tenor Benjamin Bernheim as the promiscuous Duke of Mantua, and Maestro Speranza Scappucci on the podium. The moment the Duke started his Bella figlia dellamore, Feolas expression shifted she had heard those same words and suddenly she was curious to see what was happening. Ah! and purity of tone. Soprano Tamara Wilson portrays the virtuous duchess Elsa, falsely . In the role of Sparafucile, Relyea continued his revival with the company. Of course, Scappucci has license to interpret those tempo indications as she sees fit. Continues through Jan. 29 with this cast and conductor at the Metropolitan Opera, Manhattan; metopera.org. His Chi tha colpita? . 2022 | 20:00 Rigoletto, Verdi, The Metropolitan Opera | New York City, United States fr. Instead, Feolas has greater weight and heft, especially in the middle range where she has brightness but also potency that cuts through. Ella mi fu rapita is the tenors big moment, not only vocally, but also dramatically, allowing for a moment of potential contrast and depth. Later this season, he will sing Wotan in Wagner's Das Rheingold at English National Opera, King Marke in Act III of Wagner's Tristan und Isolde in concert with the Deutsches Symphonie-Orchester Berlin, and Hunding in Wagner's Die Walkre in Naples. But Pari siamo also allows us to see the purity and hope inside of Rigolettos heart, the possibility of him separating himself from the pack of predators. Join the DSO Women's History Month Celebration: Join the launch of the DSO's virtual Women in Classical Music in Conversation series on Wednesday, March 1, at 12:00 pm, which will provide a community forum and build upon the relationships formed at the symposium. Marullo, signore, tu chhai lalma gentil come il core retained some of the edge and accents, with the final ohime of the section sounding bitter, almost as if Rigoletto were disgusted at having to plead with these vil razza for help. The baritone Quinn . Presiding over the evening was Speranza Scappucci, also making an overdue debut. 31 Dec 2021 - 11 Jun 2022. From his opening Questa o quella, he exuded vocal confidence, every note coming through crystal clear, every phrase elegantly thrown off, emphasizing the carefree nature of the Duke. Beyond the costumes, it's hard to see what Sher has actually done with the purported Weimar inspiration he captures neither the hedonism nor the sense of imminent downfall of the period but it's an attractive, efficient production that will surely be revived for years to come. Rigoletto Levine; Eda-Pierre, Jones, Pavarotti, Quilico, Berberian Watch Now Standard Definition Video VerdiNov 7, 1977 Rigoletto Levine; Cotrubas, Jones, Domingo, MacNeil, Daz Watch Now Buy Tickets Rigolettois only available with a Met Opera on Demand subscription or rental. But the rest of the duet was gloriously sung, with the sopranos fuller sound matching baritone Quinn Kelseys powerful baritone. Her body was full of fear and confusion as she ran about the turning table, women racing after her to undress her. For instance, the production included an elevator-like structure in the center of the stage that moved up and down in . When he does, out comes a richly human creature . Other recent highlights include Lauretta in Gianni Schicchi at the Bavarian State Opera, Norina in Don Pasquale and Adina in LElisir dAmore at La Scala, Fiorilla in Il Turco in Italiain Zurich, and Ilia in Idomeneo and Micala in Carmen in Rome. This first came into prominence during the operas big concertato moment, Ah, siempre tu spingi lo scherzo allestremo where the tempo ramped up to chaotic effect for the singers; it took them a few bars to find themselves back in synch with the conductor. She has also sung Gilda at the Bavarian State Opera, Lyric Opera of Chicago, Ravenna Festival, and in Rome, Zurich, Turin, and Savona. David Frost is music producer and Peter Gelb is executive producer. He punctuated the duet with an incredibly potent low F that he sustained while walking off stage all the way through the coda of the passage. Elegant is probably an apt word for his performance on the whole, especially for this opera where the Duke is called on to sing one glorious, soaring bel canto melody after another. The broadcast is part of season 16 of GREAT PERFORMANCES AT THE MET includes 10 new operas. Is it possible to have a minor success on every level? Written during the most fertile period of Verdis artistic life, the opera resonates with a universality that is frequently called Shakespearean. The performance of Rigoletto on Saturday, January 29, 2022, will be transmitted live to cinemas around the globe as part of The Met: Live in HD series and broadcast over the Toll BrothersMetropolitan Opera International Radio Network. For up-to-date casting go back to the previous page. : ','}}, Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window). Opera Met Opera's 2022-2023 Season Includes Rene Fleming and Kelli O'Hara in The Hours, Terence Blanchard's Champion, More. It was the epitome of style over substance and after seeing it a few times, no singer however great could get me to subject myself to its charmlessness. The collection of #PBSForTheArts programs is available at pbs.org/arts and the PBS Video app. Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window). 2022 Metropolitan Opera Wiener Staatsoper; 2021 Royal . She readily negotiates the coloratura of the first act, culminating in a delectable Caro nome, but it's in the latter acts that she truly shines. MEET THE STARS LUNCHEON. Even in the lower reaches of this section, his voice retained that gentility, always soft and warm. She served as music director and chief conductor of Staatsoper Hannover between 2011 and 2016, and music director of Theater Freiburg between 2003 and 2006. Perhaps Feolas standout moment came in the ensuing act during Tutte le feste al tempio. The recitative that preceded the duet proper, Ciel! And while that is true, the turntable also becomes a distraction here at some key dramatic moments. Metropolitan Opera Announces Cast Change For RIGOLETTO Performances are May 28 and June 1, 4, 8, and 11. by Stephi Wild May. A new opera by composer Eric Moe and librettist Rob Handel, The Artwork of the Future, will have its world premiere in a production by Fresh Squeezed Opera in five performances at HERE Performing Arts Center in SoHo on May 13, 14, 16, 18, and 19, 2023. Audio from the December 31, 2021, as well as the January 4, 19, and June 8, 2022, performances will be streamed live on the Mets website, metopera.org. American lighting designer Donald Holders credits at the Met include the Gershwins Porgy and Bess, Die Zauberflte, Nico Muhlys Two Boys, Otello, and Samson et Dalila. His other recent performances include Cavaradossi in Tosca at the Vienna State Opera, des Grieux in Manon in Zurich, and Rodolfo in Luisa Miller at Gran Teatre del Liceu in Barcelona. Armenian mezzo-soprano Varduhi Abrahamyan makes her Met debut as Maddalena. But these emphatic tempi shifts stood out as unrefined for a number of reasons. Companies. The Tony Award-winning creative team, including director Bartlett Sher, set designer Michael Yeargan, costume designer Catherine Zuber, and lighting designer Donald Holder, sets the classic tragedy in 1920s Europe, featuring Art Deco sets and elegant costumes. [June 4, 2022, Encore on June 8, 2022] Check out the entire Met Opera season! Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. Met Opera: Rigoletto review [November 2022] Proving that money and insight do not necessarily mix, this first revival season of Met Opera's new Rigoletto looks suitably grand, and sounds wonderful, but generally leaves the audience cold. But at the very least its coherent narratively. This was a performance to remember from Kelsey, who drew you in with a truly immersive and powerful characterization. AussieTheatre.com - Mon, 16 Mar 2020 . His Cortigiani is utterly overwhelming, the emotional anchor of the entire work. In a remarkable career spanning six decades in the theater, Giuseppe Verdi (18131901) composed 26 operas, at least half of which are at the core of todays repertoire. She made her debut at the Salzburg Festival in 2019, where she sang the role of Federica in a concert performance ofLuisa Miller. The lower reaches of this section, his voice retained that gentility, always soft and warm Park! Sparafucile, Relyea continued his revival with the Duke throughout the quartet and then cast. To school-aged children and everyone in between # PBSForTheArts is a thankless role dramatically it... Called Shakespearean Rabe & # x27 ; s luxury home builder David Frost is music producer and Briccetti..., this is a step up from the C natural into the Piangi, with the Duke of Mantua a... Out the entire work 5, 2022 19:30:00 his 2014 interview with rigoletto met opera 2022 cast star Kristine Opolais was cited in New... 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